Art Historian & Indigenous Cultural Educator. Sarah holds a PhD in Northwest Coast Art and works to bridge the gap between visitors and the rich heritage of the Coast Salish, Haida, and Squamish nations.
Sarah provides essential context for visitors engaging with Indigenous culture, focusing on respectful protocols, the meaning behind totem poles, and how to identify authentic First Nations art versus mass-produced imitations. She guides readers through galleries and museums like the MOA, explaining complex histories and legalities (like the Indian Act or potlatch bans) in accessible terms. Her goal is to empower tourists to make ethical purchases and deepen their understanding of the land they are visiting.